I was most fascinated with the older composers, the ones that had paved her way to stardom, and we met Michel Rivgauche, composer of many of Piaf's hits like "La Foule", Les blouses blanches" and the title of my Ballet"Hearts..Le Ballet es d". I had met him the year before at a luncheon given by "Les Amis d'Edith Piaf," and its President Bernard Marchois at a restaurant in the corner of Pere La Chaise cemetery.

My first thought was, "How can anyone eat so close to a cemetery?" but not only do they eat, they also drink! The place was filled with people that had known Piaf really well..Bernard Marchois, Madame Chauvigny, wife of Piaf's musical director for 25 years, Robert chauvigny. I was in heave, so to speak! They served me Ricard, to welcome me, but no one told me that I had to mix it with water, and it took me 45 minutes to focus. No wonder the cemetery is so close by, one would think the're preparing you for it!. So when you go to Paris pour some water in your Ricard!

After the lucheon, Mr Rivgauche and I and Bernard squeezed into a tiny Renaud and made our way through the cemetery to a small chapel, followed by a procession of cars, weegling their way through the "Streets" of Pere la Chaise.. I remember that in the Chapel there were twenty of us, on a crisp december day, and at that moment I fully realized that she was really gone...She seemed so alive through her songs. We were all waiting for the priest: behind us the door opened, and in came an old woman carrying a brown paper bag, she looked as if she was en route to shop at a market. She made her way up to the altar, reached in her bag and took out a portrait of Piaf in a small frame; she placed it on a chair facing us. She sat in a corner, never looking at anyone. The priest came in. I had an eerie feeling then that Piaf was trapped within those walls and that she did not like being gone.

As the Priest cleared his voice, another diversion: someone was tampering with a cassette player. Suddenly..a crackling..then the voice of Piaf came out soaring from the boom box, and I looked around. There were tears around me-the song was written by Michel Emer, the church-like"Et moi, pauvre de moi "(and me, helpless me? followed by "Mon Dieu" and finally "No regrets". We were all choked up by the simplicity and the power of the emotions displayed. The Priest spoke as if she had only left us a week ago: the service was brief, but intense. It also paid homage to Michel Emer, who had written so many of Piaf's most successful songs. After the service, the old woman reached back for her picture and put it in her back...Until next year, I was sure.

We, "Les amis d'Edith Piaf," went on to her grave to place flowers. If you've never been to Pere La Chaise cemetery, let me share with you that it has to be the eeriest place on earth. Some people call it beautiful; I call it scary. I had never seen anything like it. It's like a city of tombs within a city of life and the number of tourists is incredible, everyone with his map, little street signs everywhere. Once has to climb on one grave to get to another. The big fuss is always around Piaf's grave and that of Jim Morrisson, which is not too far, one general, two counts, a poet, a painter and a pauper down that way. Ah! yes, and Yves Montand, he is right across from Piaf, not too close, just like it was in real life. And just like out of a Fellini movie, in came Monsieur Martini. Monsieur Martini is a little dapper French man with a croupier like outlook, a red jacket, black slacks, a bow tie and a sleek and distinguished moustache. Monsieur Martini has dedicated his entire life to shining and cleaning Piaf's grave. He also collects memorabilia and notes people leave behind. Sometimes, he says, he answers a few notes himself. I would give anything to go to his house and see what he has accumulated in all these years. Monsieur Martini talks about a stranger, who comes either from America or England, who brings her flowers every year, and he sits by her grave for a half an hour and leaves. Who is this man?

After placing the flowers, and a brief prayer, in which the priest mentioned my name, thanking me for coming all the way from America to be in Paris, the whole gang went on to drink the afternoon away at a bar called "Bar Edith Piaf". There were marvelous stories exchanged, and I stood in the middle of it all,absorbing every word. We drank a lot of red wine, just like Edith would have wanted. Even the wine that was being served had her picture on the label,special vintage, "Le vin Piaf". Of course I took back the empty back to the US "Un coup d'rouge a la sante de Piaf!."......That was December 1991, and now it was September 1992 and I was sitting at Monsieur Rivgauche's desk and he loved to talk to us about his life with Piaf.

When I took them back to Pere La Chaise, Monsieur Martini was still there, affable as ever, hair slick and all. At that point, a bus load of swiss tourists gathered around Piaf's grave, taking pictures. Their guide started his narration about Piaf, (her childhood, her stardom, etc..) and we noticed Monsieur Martini eager to put in his "Two cents worth." Every time the guide would exaggerate a story or when his facts were not ight, Monsieur Martini would yell "Ah Non!","Ah! mais non!," "Faut pas exagerer!." to the delight of our producer. At this point, something came over me. I looked around at the crowd and they did not want to leave yet. I asked the woman if she knew any Piaf song and there response was so enthusiastic that I felt among friends, so I asked the crowd if they would join me with a verse of "La vie en rose". I began the first words, and suddenly I found myself conducting the "Pere La Chaise" choir, sixty people around her grave singing out loud. I looked at Mr Druker and Ms Nelson, they were in heaven, taping away. It was beautiful and impromptu. Two American Rockers visiting Jim Morrisson's grave came to check out what was going on, commenting "Man, far out, what's happenin', cool..."